Saturday, 2 December 2017

RFUK LEGACY SHOW - NOVEMBER 2017


By Coral Consciouslee

On Sunday 26th November the day of the Legacy show had finally arrived after months of planning and promotion.

Before the doors opened at 6pm, a small queue of people eagerly awaited entry to the Legacy show. RFUK volunteers were in place and ready to greet and check in attendees as they arrived. It was great to see a steady stream of people arriving early to see the start of the show; what was also impressive was the effort people made to look good for the evening.
Everyone seemed to be genuinely excited to be there. The ground floor was set out cabaret style with tables and chairs; the tables had a lovely centre piece decoration of white bottles illuminated by some small lights. The table centrepieces were the brainchild of T’Nia Miller who recruited Michaela Styles to help her. The two foraged things from nature, which they begged, borrowed and stole! With sheer ingenuity and a lot of elbow grease they were able to present something magical.

The comperes of the evening Donna Spence and Curtis Walker, kept the audience alight with laughter and anticipation; this added to the ambience of the venue which was enthralling.


What followed was a captivating evening, with an array of talent who entertained the audience from start to finish. Clapham Grand was on fire with fine reggae music! Each artist sang as if they were appearing at Wembley Arena!  We are sure there wouldn't have been a difference! We must give mention also to Nairobi Thompson, spoken word extra-ordinaire, adding a certain lyrical content to the proceedings. The band – headed by Ivan Christie as MD – was tight and professional, having learned 30 songs in total. True Identity, who are singers in their own right, also learnt the backing vocals for all those songs, giving the artists an extra lift, with a bright and melodic sound. Even now a week later, they are being praised for their harmonies, stamina and professionalism!


One of the highlights of the show was seeing our young adults getting involved and performing Live Reggae. Legacy in truth! However, we cannot write without mentioning the likes of Kofi, Sylvia Tella and Dennis Bovell, who showed why they will always be true legends in every sense of the word.


In keeping with the Legacy theme, we felt it only fitting for Cassandra London (a very current and rising reggae star) to present an award to Janet Kay in celebration of her 40 years in music and for PD Coolie (a DJ who strongly supports UK Reggae – Venture fm) to present to Tony Williams, for his contribution to music.

 
The feedback has been phenomenal and the aim is to have this as an annual event.

These types of events are never without its glitches but we have learnt tremendously about what we will and will not do for the next time around. There are several Reggae shows in London, but the RFUK Legacy show presented something a little different.


Thank you to all that attended, the audience, the band, the backing vocalists, the artists, the volunteers and security.





#BRITISH LEGACY
#Promoting UK Reggae Excellence

Photographs courtesy of Courtney Anglin
Video recording : Olu Kuforiji - Clearview Presentations

Friday, 27 October 2017

From Lovers Rock, To The Rock – Shezekiel’s Journey

By Coral Consciouslee

Songs and lyrics Shezekiel style!

The album launch of Pauline Caitlin-Reid a.k.a Shezekiel was as unique as the artist herself. 
Held at the Chalk Hills Academy, Luton, we were treated not only to a trip down memory lane, but taken through song down the path to how Shezekiel came to her moment of self-realisation.

For those from the Lover’s Rock era, Shezekiel stepped back in time to when Brown Sugar sang songs like “I’m In Love With A Dreadlocks” and “Black Pride”; I saw many people swaying in their seats and holding their hands up in the air in appreciation.  I thought of the legacy that Shezekiel had createdthat she could have her daughter, niece and best friend as backing vocalists.  It was also plain to see that her ability, gift and talent had been passed down.


On the screen behind the performance were newspaper clippings, pictures and writings from that era too.  An informative touch I thought.

Interspersed between the songs were snippets of an “interview” with Shezekiel conducted by Ray Patrick and Louise Clarke.  The audience learned about the history of Pauline/Shezekiel, the artistes that influenced her music and how she came to be producing the music that culminated in her album.

Being interviewed by Ray Patrick
Shezekiel also shared her personal testimony of revelation and self-discovery with the audience; it was touching and enlightening. 

After the interval, Lover’s Rock was replaced with Reggae, carrying a specific God-given message.  The lyrics revealed Shezekiel’s own thoughts and conviction of her belief in God. The performance was backed by a live band of young, but very talented musicians called the Gem Stones.  Definitely a pleasure seeing young people playing and appreciating reggae!  The music itself had a contemporary feel with tones of the east.  Some of the songs also had a negro-spiritual feel to it with the harmonies sung to a high standard. I must admit, I sat in anticipation that Shezekiel would sing my favourite “Beams From Heaven” and jumped up ready to dance when she started the song!

Eastern influences!

My only disappointment was that there wasn’t enough time to hear more of her songs. With songs  entitled “Catch The Boat” and “Basic Instructions Before Leaving Earth”, you will understand why this was not just an evening out, but an education.


An enjoyable evening with the recommendation that one goes out and purchases the CD as soon as possible.  Well done to Shezekiel, Alan Charles who co-produced the event, alongside Kelvin Jarrett the musical director.  Look out for news of the tour!!

#PromotingUKReggaeExcellence








#PromotingUKReggaeMusic



Saturday, 15 July 2017

RFUK ATTENDS YOLANDA BROWN'S LISTENING PARTY!


By Audrey Scott
15th July 2017


 On 13th June 2017, RFUK was invited to YolanDa Brown's listening party.  We were represented by our very own Audrey Scott who gladly gave us her review of the evening.  Have a read below!

It's MY Party! YolanDa Brown with Audrey Scott at the listening party.


YolanDa Brown chose Melomania Cambridge Audio - which is an audio testing office – as the venue for her listening party.  A modern looking place, intimate, with cushions laid out on benches. People chatted before the event started. A very friendly atmosphere. Like a front room filled with friends.

We were all greeted warmly by YolanDa, who made us all feel very welcome and at home. There were 2 sofas placed on the stage.

We were then treated to a few tracks where she explained to the audience the inspiration behind each one and the people that contributed on the tracks.  A few of the guest artists who were featured on her album were in the audience.  Singer Raheem Devaughn rang from USA and her young daughter is also included on one of her tracks.

Yolanda Brown talks about her album on stage.


YolanDa explained what she wanted and felt for each track. So some tracks were played softly, depicting love for example.  The heavy Reggae tracks were greeted with pull ups and YolanDa getting up and dancing, encouraging us to get up with her. I don’t think she could have done anything better.

Unfortunately Floetry couldn’t attend, but she sang on Love & War – beautifully sung (it had quite an impact on me) and you just know the audience felt that song by the response.

As we listened to her songs, we were encouraged to dance if we wanted to. This is a girl that loves her Reggae and is very down to earth. Her tracks consisted of Reggae, Jazz, RnB and Nyabinghi. Great fusions of music. (Click on the link below and listen to ‘Million Billion Love’
https://youtu.be/K7FkRE0qHlQ  Single ‘Million Billion Love’ is no.1 in the Jazz charts. Smooth Reggae/Jazz feel.)

Her music was entitled ""Posh Reggae, which is also happens to be the name of her tour.
The audience proved very receptive to the songs played.  At the end, we were invited to check out her merchandise, which were her album, Posh Reggae logo T-Shirts and bags.

Singer Donna Michael shows off some of the merchandise


RFUK felt honoured to have been invited and we look forward to hearing her songs.  I was particularly impressed with the venue and the way she came around to all her guests and greeted us with big hugs. She also took photos with those that asked.

We wish her all the best for the Album.

Promoting UK Reggae Excellence


http://www.yolandabrown.co.uk/
Love Politics War – Yolanda Brown
Posh Reggae


Sunday, 30 October 2016

REGGAE FRATERNITY UK LAUNCH PARTY

by Coral Consciouslee
29th October 2016


Reggae

noun
1.
a style of Jamaican popular music blending blues,calypso, and rock-'n'-roll, characterized by astrong syncopated rhythm and lyrics of socialprotest.

This is truly one of those times when writing about something that was so fantastic, makes one wish that there were more words in the English language.  I began this blog by looking up the definition of reggae and saw how limited the English language was trying to describe it.  That’s how I feel right now.

Last night I was involved in and attended the Reggae Fraternity UK Launch Party.  What had begun with a small group of about 20 people in April 2015 had evolved into an eagerly anticipated event, which – truth be told – we had been planning probably from that very first meeting. Although I had certain skills that could be beneficial as the RFUK secretary, I can truly say it is only now that I understand what we are able to offer as an organisation. I am privileged to be working with a team of very talented individuals, who have so many qualities in addition to being outstanding musicians.  Together their vision has inspired and helped me to understand Reggae music on a level I never thought possible.

On the practical and tangible side, we had a beautiful venue – Hackney Showrooms and the undying help of Nina Love.  Whatever we asked of Nina, she was willing to help, going over and beyond what was necessary.  Her organisational skills and tenacity made our preparation for the event a smooth process indeed. 



Like most promoters, we advertised like crazy.  We knew this was not a dance or a similar event.  This was not just about selling tickets, or getting “bums on seats”.  This was an event aimed specifically at the music industry – we were putting out a call for interested parties to come together and ultimately help each other. I am shaking my head at the many meetings, emails, whatsapp messages and telephone calls we must have made.  How we kept on top of it all I do not know!  However Friday night made all the effort worth it. 




The perfect scenario for any event is when people arrive on time.  When people arrive early then one knows they are very interested.  Our drinks reception proved very popular and gave a perfect opportunity for some early networking to commence.  To see people gathered early on a Friday evening for a seminar about reggae music, was a beautiful sight.  Even better having to produce more chairs for those who were standing – and the evening had just begun! We had a strong panel: Kevin Bennet – Emotional and Mental Strategist, ,Gary Digitech – Music Producer and John Downie of UK Unsigned.  Chaired by RFUK’s very own Leroy Wilson, all three discussed the issues of the Reggae Music Industry and answered the questions of the audience.  It was the perfect prelude to an amazing show.


The show consisted of established as well as up and coming singers.  The line up reflected the different styles of Reggae that can be found in the UK today, both mature and younger artists performed to an amazing and receptive crowd.  The DJs created a warm and active atmosphere – I noticed no waning of interest or impatience in the audience whatsoever. The perfect end to the show was  Lorna Sutara Ji leading the DJ Rollcall with Horseman and Ricky Rankin – the crowd went into overdrive!


Also encouraging were the commendations from both artists and the general public alike.  It’s not that we hadn’t received such comments before, but this time it was said with more understanding and enlightenment of what we were trying to achieve and that made it the more special.

Although overwhelmed with the night’s success, the team knows that this was a launch.  It is now that the real work begins.  But oh what a night to herald in such a future!


Promoting. UK. Reggae. Excellence.





Thursday, 8 September 2016

PAULETTE TAJAH BENDS OUR EAR!


Paulette Tajah

By Coral Consciouslee
8th September 2016

When an artist decides to present their latest achievements, it is the norm to make an announcement or host an event to present it to all and sundry.  So when RFUK received an invitation from Paulette Tajah inviting us to a ‘listening party’ I must admit  I didn’t think it would be any different from other such events I had attended.

The party was held at Markethouse, Brixton and upon entering I realised that this party was going to be different.  We were welcomed by the lady herself and presented with a package which contained a biog about the artist, a CD containing a few of her latest songs and also – this intrigued me – a paper with printed questions and a pen(?).  I also noticed a select and specific crowd had been invited, consisting mainly of people within the industry rather than just the general public.
The food was delicious!!

It was a cosy atmosphere from the beginning, we had a bar to hand and Paulette had thoughtfully laid on a buffet of very tasty food, which I don’t mind saying I visited more than once!

In her welcoming address, Paulette told us that in our packages we would find paper and pen, which we would be using to basically state our preferences and not only that, our reasons for doing so.  She went one step further: if we thought any of the songs were weak or could be improved upon could we also make a note of the song and suggest any improvements? 

I looked at Paulette carefully.  I thought how very brave of her to do this and I told her so. I am not sure I could sit amongst my peers and know they would be critiquing my efforts for an entire evening.  I admired her courage!


DJ Natty B was an excellent Compere!!
So for the next hour, we were treated to 16 songs, presented to us by DJ Natty B.  Oh girlfriend done good!! There were more than a few “PULL UP” requests; I personally think she has more than one hit on that list and definitely enough from which to make a very good album.  My favourite is “What You See Is What You Get” which I asked her to play again before I left. Paulette Tajah singing a roots song...who would have thought??


This was the scene for several songs!!
What struck me in particular was the family atmosphere.  We laughed and chatted together, all the time being aware that our opinion was important in Paulette’s final decision-making.   It was a very enjoyable way to spend a Sunday afternoon and I felt privileged to be there. It was also a pleasure to know that behind the scenes Paulette had been working very hard indeed on new material of which she should be very proud.

I look forward to knowing which of the songs Paulette actually chooses for her coming album.  A concept well worth taking into consideration, for all artists.

Pictures courtesy of Kenny Passley

We had a whale of a time!!




Tuesday, 5 July 2016

AUDREY SCOTT RECEIVES AWARD FOR HER CONTRIBUTION TO MUSIC

by Coral Consciouslee
5th July 2016

It is only right and fitting to applaud and appreciate our very own Audrey Scott who received an award for her contribution to music from AAA Strike 4 Success on Saturday 2nd July.

Long overdue and well deserved! RFUK recognises her talent and also her unwavering support for her fellow artists, which she continues to do in her own unique and oustanding way.


Audrey poses with Donovan KingJay

 Audrey Scott was born in Birmingham to Jamaican parents and moved to London when she was 12 years old.   Audrey sang both in church and school choirs,  also performing a little drama while living in Birmingham.

Audrey’s interest in music began at an early age where she would sing along to Millie Smalls’ ‘My boy Lollipop’ with her elder siblings, who were also musical.

Her interest in music developed more while at college, where she met Janette Edwards.  Janette introduced Audrey to Noel (aka Fish) Salmon; from then on they became friends and Fish along with Lloyd (Saxon) went on to help form The Sadonians and pen their songs:   The Day Will Come,  Goodbye My Love  and Disappointments.  The Sadonians split after recording the song “In Our Hearts”.   Audrey continued singing solo, singing with bands such as Riddim Squad, Together Band & Reggae Vibes and Mellow Mix.

In the early 90’s Audrey met a producer called Jah Larry who was interested in producing an album with her and ‘Step by Step’ was released on Prestige Records in 1994, with The Heptones providing backing vocals, Lindel Lewis, Elroy Bailey, Sly Dunbar, Alan Weekes, Steely Johnson were also involved.  The song Brandy, from the album was released in Jamaica. Audrey also provided backing vocals on Anthony Johnson’s ‘Together’ album.

Beautiful...and Bold

In 1998 Audrey began performing again as a Lovers Rock Singer.  Her first show was at York Hall with Louisa Marks, Jean Binta Breeze, Felicity Ethnic and many more for The Windrush Anniversary. 

Since then, Audrey has been working and touring England with various promoters: Orlando Gittens, Sir Lloyd, Bagga John and Mikey Koos, in the Lovers Rock fraternity, performing at The O2 London, Jazz Café, The Ocean, Hackney Empire, The Tower Ballroom in Birmingham, Festival Hall - Croydon & Hammersmith Apollo with artistes such as: Carroll Thompson, Janet Kay, Sandra Cross, Sylvia Tella, Michael Gordon, Trevor Walters, Barry Biggs, Barry Boom, Lloyd Brown, Susan Cadogan, Winston Reedy, Vivian Jones, Joy Mack, Peter Hunnigale, Tradition, Al Campbell, Toyin Adekale plus many more.

Performing at John McLean's Reggae Royal

Pictures can be found on Facebook – Audrey Scott – Sadonians (Band page)


Audrey has also worked with Roots Artistes such as Sista Aisha, Mad Professor, Dr. Alimantado, Black Slate, Mighty Diamonds, Joy Mack, Afrikan Simba, solo Banton, Papa Levi, Mutabaruka, Ruff Cut Band to name a few. Audrey went to Greece twice, while working with Mad Professor.

Fast forward to 2015 Audrey started the year with the single “Children Of  The Night” produced by Derek “Demondo” Fevrier on the Nu Lovers Label.  

Currently, Audrey continues to wow audiences across the UK with her unique, sweet voice.  She is also artist representative for Reggae Fraternity UK.






Saturday, 18 June 2016

MEN WITH VOICES - HOOTANANNY - 16TH JUNE 2016


By Coral Consciouslee
18th June 2016


One of the main reasons I was looking forward to Gary Digitec’s “Men With Voices” showcase was because this was yet another example of someone taking the initiative to promote the artist, instead of waiting for things to happen.


There were some on the bill that I had never had the pleasure of hearing before (Sparky Rugged, Junior Chin, Grantie Asher) which for me made it even more interesting.  When it comes to Hootananny, it is mainly outside of the building that one meets others in the industry, before the show starts; most of the time it is those we haven’t seen a while and then have the opportunity to have a good old catch-up.  Suffice to say it is definitely a networking opportunity!

Warming up beforehand in his own unique style was Darren Stylee Truecolour Sound, a DJ who is definitely contributing to and supporting UK Reggae.

The show started fairly on time, with a good size crowd already gathered, following a call to order by DJ Mikey Notch formerly of RJR Radio, who would be the compere for the evening: his style suited the show and lent a professional touch to the proceedings. Supporting the artists would be the Digitec All Star Band, featuring some of the best musicians in the business. Together they provided a tight set, showing that practice had indeed taken place.  Also supporting were backing singers Michelle Creese and Tahamene Park.
The show was opened by gospel artist Joshua Kesler.  Here is a secret: Joshua and I used to sing together in the choir back in the day! It was good to see that he was still singing and sharing his talent. He was followed by Sparky Rugged who caused a storm by dancing with a voluptuous woman to his own rendition of “Hey Fatty Boom Boom” we were definitely entertained!. 

Previously I had heard a “snippet” of Claude Darroux at Allison Mason’s Shining Stars Showcase, so it was a pleasure to hear what this gentleman had to offer.  I was not disappointed – he can definitely hold his own as a soloist.  We were treated to another romantic reggae singer in the shape of Junior Chin; it was interesting to see the different vocal ranges of each artist.  Another singer I had not heard before was Grantie Asher reminding us of those romantic dances and falling in love.  His expressions when he is singing kept the listener engaged all the way.


Kareem Shabazz, surprised us with an eclectic reggae style rendition of songs which definitely showed how versatile an artist he is; props to the guitar player. When it comes to showmanship they don’t come any better than JayJayBorn2Sing! Like his appearance his voice always has an impact.   


Closing the show was reggae veteran Mike Antony, a small man with a big voice who is still showing how it is done.  The show lasted a hour and a half and I thoroughly enjoyed it.  Judging by the response of those who attended they felt the same.  It pleases me to say this was a very well executed show and showed that there are some very strong male vocalists right here in the UK.


Gary Digitec told me that there are more shows coming soon – if this show is anything to go by I would recommend them.  Well done to Gary Digitec, all the artists, Mikey Notch, Darren Stylee Truecoloursound, the Digitec All Star Band, Cecil Reuben, the backing singers, indeed all who contributed to what turned out to be a very successful evening. 

Long may it continue.





**Artist photos courtesy of Courtney Anglin